When I draw, I try to translate what I see into how it feels to the touch. It is purely emotional, something that resonates, stirs memories, often from my childhood when judgement did not come before objects were thoroughly observed and experienced.

My drawings are made with layer upon layer of very fine pencil crayon on backgrounds of pooled watercolour washes. It is a meticulous process which can take several weeks from the
preliminary sketches to the finished painting.
The background is a dynamic and integral part of the painting, as important as the subjects themselves. It provides an imagined space where they can live - suspended, with nothing to hold on to, or existing on seemingly firm ground.

I choose intuitively, not searching, but coming upon, being stopped in my tracks by the promise in a closely furled iris bud, the dry rattle of a seed pod, or the soft ripeness of a plum.